Showing posts with label Naga. Show all posts
Showing posts with label Naga. Show all posts

Sunday, November 6, 2016

Exhibition- observations

I met a very interesting array of people during our exhibition at the Academy of Fine Arts in October-November 2016.  We had over 2000 footfalls in the seven days of the exhibition.  The overall feedback received from the visitors was extremely appreciative and encouraging.  My daughter’s talent in art was of course the primary purpose and was universally admired.  We were touched by the appreciation from general visitors and honest reviews and tips received from several artists who dropped by.  But I was surprised to see the response to my exhibition of photographs, which in my mind was a filler and a side show.  Several people told us that they have never ever seen such display of the resplendency of India’s religious fairs and festivals in Kolkata.  Unknown people of all ages spent a good amount of time looking at the photos with great interest and reading the narratives I displayed.  I had organized my photos in three categories- long shots depicting the “Ambience” of the events, close up of the “Faces” depicting moods and expressions of people who come to these events, and the mythical “Naga” ascetics.  I had detailed narrative in separate frames for these categories, explaining my thoughts.  People were seen reading those with rapt attention.  Not being much of an art connoisseur myself, I am familiar with the rapid awkward shuffle across the exhibition floor when someone is disengaged with the depth of content displayed in a gallery.  We had a few of such people too; but majority were unusually glued to the photos and write-ups.  Several of them came up and talked to me, some others left their comments in visitor’s book and few others walked out without sharing their views.  A few of the comments read as follows:

 

  • “photographs mesmerize; the captivating visuals transporting the viewer to real India, sans the mask of urban ‘civilization’ that we have got unfortunately used to.  It raises the Shakespearean dilemma in the viewer’s mind- ‘To Be or Not to Be’ like those natural common people in the photographs”
  • “photographs make me nostalgic”
  • “Been to Allahabad for 6 years but never saw the thing the way the photographer has seen.  Loved it”
  • “the starkness of Naga ascetics recorded by his camera is truly mind-blowing and gives rare insight to his acumen as a candid photographer”







Interest of women in the fairs and festivals was particularly striking.  I talked to at least three lady Professors in reputed academic institutions who displayed a deep passion and experience of traveling to these events, and could connect easily with my photos.  Another group of three unknown elderly ladies came and talked to me at length about the events.  A group of poets from suburban areas spent a lot of time talking to me and my daughter.  Foreign tourists were attracted like a magnet to the photos.  Two American teachers from Woodstock International School in Mussourie accompanying a student talked to me about the events at length; visitors from Mexico, Korea and Europe spoke and left appreciative comments. 


















The reaction of fellow exhibitors was mixed.  A senior artist and exhibition organizer liked our unit and took us under his wings.  He provided advice and support during the entire duration of our exhibition.  Another artist and organizer in adjacent hall was overwhelmed when I took my friend as a buyer to his hall and he bought one of the exhibits.  The artist told me later that no one wants to expose their buyers and keeps them under wraps.  A young artist came, walked the show and posted snide comments on our flex and visitors book- we took it as a constructive criticism.  Another young boy, exhibiting his vibrant Krishna-Radha theme canvases at another gallery, was mesmerized about one photo of the facial expression of a rustic old pilgrim.  I had casually clicked the photo at Ganga Sagar mela. 
 




It seemed that people could instantly connect with the liveliness and spirituality of the events- an opportunity they do not get easily in Kolkata.  A gentleman, claiming to be a film-maker, wanted to do a documentary on the Naga saints and talked to me at length about the way of life of these saints.  But I could hardly conceal a chuckle when he asking his parting question- “So, all of them are from Nagaland?”  In hindsight though, it was not so funny because the awareness about saintliness and mythology based religious events of India is abysmally low in West Bengal.  The reason for this can be debated, though the fact is undeniable.  The insularity of the Bengali community from all-India happenings may be partly responsible.  Bengal became famous for many reasons- show of religiosity is not one of them.  The socio-political discourse prevalent in the state may be another contributing factor.  The media (both vernacular and English) in Kolkata do not pay any attention to such events.  I have carried back loads of Hindi newspapers from the Simhastha Kumbh Mela’s opening days in Ujjain this year, wherein various facets of the event were the only news from cover to cover.  On same days, there would be passing reference to the event in an inside page in the newspapers of Kolkata.  These events become news here when something unpleasant or untoward happens; such as stampede; disease outbreak or crime.  But when such events happen flawlessly with participation of 10-30 million people at a riverbank, that is not news.  Even if it is the biggest human congregation on earth, as in Maha Kumbh Mela in Allahabad, held once every 12 years in the flood plains of rivers Ganga and Yamuna.  Here, a temporary mega-city is created in four months over an area of 2000 hectares, with 770 km of electricity lines; 22,000 street light points and 130,000 private connections; 550 km of water pipeline; 44,000 toilets; 38 hospitals; 13,000 police personnel in 30 police stations; 18 temporary pontoon bridges over the rivers; 3600 extra buses and 600 special trains operating from four railway stations to transport pilgrims.  This is sheer magic.  A team from Harvard University’s South Asia Institute camped for weeks at Allahabad Kumbh trying to study the science behind this magic.  But it does not pass muster with the editors of West Bengal newspapers or national English dailies.  However, launch ceremony of Indian Premier Cricket League with 8 private club teams is considered significant enough for a leading English daily to devote more than half of newsprint space.  The perspective of television channels is the same.  Therefore, the ignorance of the common man about such events is understandable.  But the ingrained quest for spirituality bubbles up when they come face to face with candid photos of faithfuls, vibrant show of faith by commune of Naga ascetics and the magical ambience of these events.


I was deeply satisfied that my photo exhibition met an unmet need of a part of the population of the city.                     





















 

                                  

 

Exhibition Experience

An exhibition of my travel photos and my daughter’s paintings happened at the Academy of Fine Arts from October 27-Nov 3, 2016.  It was our family’s maiden experience of organizing such an event- wasn’t really sure what lay ahead when we grabbed the opportunity of the availability of such a prime-time-of-the-year exhibition at such a prestigious gallery.  It is one of the oldest art galleries of India, established in 1933; and a magnet for art and theatre buffs.



The fun began after the booking was confirmed.  We were lucky to get the North Gallery- the largest and most prominent of the five galleries in the Academy.  First task was to figure out what would be a right number of exhibits, which would determine how many photographs I should plan to select from among thousands that were in my archives.  I had decided that my theme would be the “Religious Fairs and Festivals of India”- a subject I have been passionate about in the last six years.  After several visits to the gallery to see ongoing exhibitions and estimating that it would be reasonable to plan for 60 exhibits, and after deducting the number of paintings that were ready, it turned out that I can plan for about 30 photo exhibits.



Next step was to decide which photos to select for exhibition.  This was the hardest part.  In MBA days, I read an article in Harvard Business Review about “Right vs Right” decisions.  This was a classic situation exemplifying that dilemma.  I began with a shortlist of 100 photos from 8 of my favorite festival travels.  After hours of pleasant confusion and several iterations, I managed to prune it to 40 from 4 events.  But that’s it.  I could neither reduce the number of events, nor could I reject any more of the photos.  Every piece seemed critically important to tell the story of the event.  So I froze that decision pane and moved on to the next task, which was to decide where to print and at what size and cost. 



I had no idea that printing could be so confusing.  First was to decide on the size.  Technology has progressed so much that with the right megapixel size of the photo, an image can be printed to really large size.  And that too, there are several printing processes- each comes with different price points- and that too over a very wide range.  A digital print of 18”X12” from one of the many digital studios in the city would cost Rs. 20-30 per piece on 300 GSM art paper; a photo paper print of the same photo and size could cost between Rs. 100-300 (depending on the place; I later learnt of a place where they print photos of this size at less than Rs. 40; but well, hindsight is always wiser!); and a canvas print with an apparent guaranty of 20 years of fast color/photo longevity could cost Rs. 900-1000.  Faced with this incredible array of confusing information and complex decision matrix, at that stage I truly felt like Isaac Newton when he said “…to myself I seem to have been only like a boy playing on the seashore, and diverting myself in now and then finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.”  Finally, I did sample printing of a few on each of the three technology platforms, and came up with a final mix which served my needs without making my budget shoot through the roof.    



Once these challenging steps were dealt with, akin to a boatman navigating the choppy waters near the shore and heading for deep sea, the rest seemed easier.  After a research on art framers and visit to five of them, I was delighted to find a place in Kalighat (a place with long tradition of art framing) where the owner is an art connoisseur himself.  It was an absolute pleasure working with him, learning from him and hearing his anecdotes.  He was totally dependable, so I was comfortable agreeing to take delivery of my framed photos on the morning of the exhibition itself- which made logistics simpler. 



Simultaneously, developing content was an important.  This included drafting invitation, catalog, poster, flex, artist’s profile, narrative of my photo exhibit categories, exhibit titles and press kit.  The unique proposition message of the exhibition was identified and drafted with meticulous attention.  After the language and format was finalized, it took several days and painstaking attention at the digital studio to freeze the final product in each category.  The end result was sweet- we really liked the output.  It was heartwarming to see the visitors and recipients appreciating these.

 

 


Planning for an impactful inauguration was a key aspect.  We worked really hard on developing a strong invitee list for the inaugural on the opening day, including Chief Guest.  We meticulously sent out invitations by email, WhatsApp or mail and followed up with personalized phone calls.  Media was contacted and specific content developed for them.  The effort bore fruit- the event was announced multiple times in leading English dailies of Kolkata.  We also planned meticulously for the inaugural peripherals; including arranging for lamp, photographer and videographer, mementos for invited guests, refreshments, and such other.



Four weeks passed like a breeze and we were at the game day- opening of our first ever exhibition!  The hall was to be ours from 11 am, and inauguration was slated at 6:00 pm.  Logistics had to be managed meticulously- carrying exhibits in to the hall in time, hiring people to hang the exhibits, deciding on the sequence in which the frames are to be put up, monitoring the level at which the frames are to be hung, arranging for the inaugural lamp and flowers, creating a cozy corner for our bags and refreshment inventory; and multitude of other tasks.  Six hours later, at 5:00 pm, the exhibition was ready to our satisfaction and we barely had time to change and get ready for the guests.  Once the guests started arriving, we felt like theatre artists, emerging from behind the curtain after days of rehearsal and ready to enact the play as per script.  The hall looked resplendent with its bright lights focused on our creations, the ready-to-lit inaugural lamp highlighted with floral décor on the floor, and a large backdrop announcing the theme of the event in the center of the hall.  We were in love with our effort right away.    

 








The inauguration ceremony of our exhibition, titled “Spirit- of Earth & Soul” was memorable.  We were honored by the attendance of dignitaries who spared their valuable time to attend.  Many friends and relatives came and became part of the celebratory environment.  There were a large number of walk-ins.  Exhibitors and guests from other galleries dropped in too.  The look and feel of our exhibition, the branding and the communication materials printed were well appreciated.  It was a huge learning experience for us to be able to organize the event smoothly.       




    

Saturday, March 2, 2013

Experiencing the Biggest Act of Faith in the Universe- Kumbh Mela 2013

It was a momentous occasion to be a part of the largest ever human gathering in a single day- a milieu of 30 million people gathered at the confluence of the rivers Ganga, Yamuna and the mythical Sarasvati in the north Indian city of Allahabad on February 10, 2013 on the occasion of the Hindu religious pilgrimage of Kumbh Mela. In perspective, the congregation was equivalent to the ENTIRE population of New York AND London converging at a beach in one day, or ALL the spectators of the 16-day London Olympics gathered together to watch one single event.

The momentum has started building up with my visits to Kumbh Mela in Haridwar in 2010, Dev Deepavali in Benaras in 2011 and Ganga Sagar in Bengal Delta area in 2012 {separate blogs on each event}. Experiencing Maha Kumbh Mela in Allahabad on the biggest and most auspicious bathing day of Mauni Amavasya on February 10, 2013 was a perfect climax of the crescendo which was building up through these events.

My planning for participation in Allahabad Maha Kumbh Mela started 16 months in advance. Among the seven auspicious bathing dates of this 55-day event, I chose to attend the most important one of Mauni Amavasya. A primary reason was to be able to witness the Shahi Snan (royal procession) of the different sects of Hindu saints, including the mythological Naga ascetics. A casual conversation with a childhood friend regarding the travel plan expanded the travel group to six, in contrast to my customary trips to these places all by myself. I booked hotel room a year in advance, and train tickets were purchased on the opening day 4 months before the journey. A continued contact with a Dandi Swami from the Haridwar trip in 2010 helped secure on-site accommodation for our group, which is absolutely essential for experiencing an event like this. Several planning meetings were held, packing lists were exchanged and event notes shared within the group, before we converged in station on Feb 7th to board the train to Allahabad.

The journey was uneventful, except that the train was late.  We were together in the same coupe and engrossed with ourselves.  After reaching Allahabad, we took rickshaws which took us to the Rahi Ilawart Tourist Bungalow of U.P. Tourism Department The heavily-built rickshaw pullers dumped our bag and bedding behind the seat, supported by the cloth and the frame of the hood; and charged a very low fare.  I couldn’t resist a chuckle comparing them to the rickety, unionized and moody rickshawallahs of Kolkata.  My people experience had already begun!

Next morning of February 9, we started our journey to the camp at 9 am.
The "Dare to be Different Team" at Hotel Ilawart, on way to Mela(missing one, who is behind the camera)
  By then, the stream of pilgrims walking from the station and bus stand to the Mela site had already started, and there was confusion about the point till which we could travel in rickshaw before we begin the mandatory walk.  The rickshaws dropped us after about 3 km at the nearest drop-off point in Sector 1 near the Sangam, and rushed off for the next set of passengers.  This was their once-in-12-year opportunity to make some good money.  We started our walk from this point, full of exuberance and powered by anticipation of what lay ahead.  The trudge along the northern bank of the Yamuna through Mela Sectors 1-5 past the Sangam (confluence point of Ganga and Yamuna rivers) and then crossing the Pontoon Bridge Number 12 over the Ganga in to Sector 9 to our camp was about 5 km and took us about 2 hours with all the different stops along the way.  We realized later that the rickshaws could have taken us through inside roads towards Daraganj.  from where it would have been a 2 km journey to our camp. The return trip through that route was a much shorter walk.


Our host- Sri Sri 1008 Santa Ashram Dandi Swami Maharaj (disciple of Shankaracharya of Jyotishpith Badrikashram) was waiting for us for a long time at the Pontoon Bridge 12. He was happy to see us arrive, and led us to his camp. While walking, he gave us an introduction to the layout of the Sector and the road network which leads to Sangam. The roads laid out in grid pattern and were wide, leveled and had two metal plates of 2 feet width to facilitate movement of cars and pilgrims. The important roads, although temporary, had names such as Nagvasuki Road, Sangam Marg, Harischandra Road, Tulsi Marg and Shankaracharya Marg. The Sector housed the camps of various Ashrams and Mathas (Hindu monasteries). The camps of the various Akharas (camps of the militant ascetics) were mostly located in Sectors 3 & 4.  Mathas and Akharas are religious congregations and institutions instituted by the ancient Hindu religious leader and Vedanta philosopher Adi Shankaracharya of 7th century AD.

Our Maharaj’s camp was one of the 150 camps inside Dandi Swami Nagar set up by the Dandi Swamis (Brahmin ascetics dressed in saffron robes and carrying a symbolic Dandi or bamboo pole representing Lord Vishnu, while themselves being followers of Lord Shiva). It was a simple camp, with three large tents (called VIP tents) with their private toilets set up at the request of us and another group which would follow us. There were seven smaller tents for the ordinary pilgrims who stay for a longer period and practice prescribed rituals in quest of spiritual salvation. Maharaj had his own tent, where he stayed with two of his young students/disciples. These bright young boys carried out all the chores of the camp at the instruction of their Guru- including conducting the daily prayers and cooking for the guests. Maharaj lodged himself in a simple wooden cot under a shamiyana for most of the day, and met all his visitors there. There was a Shivaling built in the middle of the camp, where prayers are performed daily. Power was available in the camp from 7 pm to 7 am. Water flowed in the tap for the entire day. The drainage and sanitation system was functional. Open air bathing and relieving ourselves in makeshift toilets was a new experience.

Dandi Swami community

Sri Sri 1008 Santa Ashram Dandi Swami Maharaj, with his students


 


After settling down at the camp and an excellent cup of tea prepared by the boys, we started out in search of lunch. We soon realized that it was much easier to find free food than to find decent places where we could pay and eat lunch. The only options were the local varieties of snacks and sweets. Famished as we were, we decided that prudence is the better part of valor and went in to a Langar (free food served to pilgrims in a camp) at a huge camp organized by Dadda’Ji. The unique proposition of this opulent camp was that it had a 25-feet high idol of Shiva in the center, and was pursuing a mission to construct 12.5 million clay Shivlings within the Kumbh Mela time span. The langar had about 800 people sitting down on the floor, waiting patiently for food. Some in our group were “weak-kneed” and had a bit of a struggle lodging themselves on the floor. For all of us it was a huge democratic experience to sit down with people from all socio-economic class and eat together. The simple vegetarian food itself was freshly cooked, served hot and with respect.

 















By afternoon, the record congregation was already starting to happen, with hundreds of thousands of people walking in all directions with various levels of contentment and anxiety. It was amazing how many people lost their way or got separated from their group in the Mela. Ever since we stepped in to the riverfront, we had been hearing missing person announcements. Reports indicate that till February 10, over 275,000 people have been reported to be lost during the Kumbh which includes 97,000 on a single day on Mauni Amavasya of February 10. Till February 11, 123,000 people were still “missing”. The Administration had set up an elaborate network of what they called “Bhole Bhatke Shivir” (Lost & Found Centers) which were constantly making announcements in the regional dialect of the lost visitor in an effort to reunite the families. Some anxious members were heard wailing or shouting themselves hoarse in the microphone in their separation anxiety. Getting lost in childhood and getting reunited dramatically later in life in Kumbh Mela has been a favorite theme of Bollywood movies- starting with the 1967 superhit Ram Aur Shyam. This was the script unfolding live in front of us. I met one such soul- a poor Bihari from Darbhanga district in a tea stall, who looked lost and broke down the moment I asked him if everything was okay. He apparently started from home the previous night, had an arduous journey to the Mela site and was frantically looking for a Saint’s camp armed with only his name, the name of the camp and the contact number. Without the coordinates of the camp, he was going around in circles for the last four hours with his heavy bag. I calmed him down, offered him tea and water which he refused, but continued lamenting about his poor fate. I tried calling the number but it went unanswered. Then I accompanied him to our camp and offered to carry his luggage, at which he was overwhelmed but refused to allow me to do so. Our Maharaj, with his vast knowledge of the people and layout of Kumbh Mela, guided the old man to the route he should take to find his destination. But Maharaj did not like the idea when I discreetly gave some money to the old man, saying he did not trust the Biharis and I should not trust them much either. The citizens of UP and Bihar have never been great friends, I was reminded by the incident!

After a brief nap in the afternoon, we set out to explore the Mela within our Sector. The streets were flooded with light- a no mean feat considering this is normally a dark riverbed which remains under water for 8 months of a year. The Administration has laid an incredible 770 km of electricity lines in the 2000-odd hectare area, with 22,000 street light points and 130,000 private connections within the camp premises; pumping in 30 MVA of electricity to the area. The Mela was vibrant in the evening, with typical village-fair merchandise such as vermilions, traditional ornaments and textile items being sold.






Many people were camped in the open, some of them cooking food. The air was rent with devotional songs, chanting of hymns and religious discourses taking place at various camps; broken intermittently by the public announcement of missing persons. The riverfront was starting to get busy, since the auspicious time window had set in and families were gathering to take the holy dip in the river to avoid the big rush in the morning. A traditional ritual is to pray to the river and float a small leaf bowl with flower and a small camphor lamp in it.



Here’s an idea of the enormity of the Mela and the extent of Administrative machinery which works behind it to make this biggest human event on earth a success. The Mela covers an area of approximately 2000 hectares, and is held in the flood plain of the two largest rivers of India- the Ganga and the Yamuna. The Mela site remains submerged under water till early October. So the entire temporary city with 30 MVA of electricity connection; 156 km of road network; 80,000 KL of drinking water supply through 20,000 connections and 550 km of water pipeline; sanitation facility involving 44,000 toilets; primary healthcare facility with 38 hospitals; law and order involving 85 CCTV cameras and 13,000 police personnel in 30 police stations; 18 temporary pontoon bridges over the rivers; special transportation arrangement with 3600 extra buses and 600 special trains operating from four railway stations to transport pilgrims; food and civil supplies through 200,000 temporary ration cards to camp owners and accommodation for several million people is set up like magic within a span of four months. In a country where two spans of bridges sometimes take years to join, it is an incredible feat to create such a temporary city in the middle of nowhere with a total population inflow of 100 million (peak-day resident population of 30 million), including 1 million international tourists over its 55-day existence, flawlessly once every twelve years. Estimated expenditure for this project is $360 million, which is funded from the Government of India’s allocation to the state government. Substantial business is generated for the hotels, tour operators, airlines and railways in the hinterland- an estimate by industry association ASSOCHAM forecasts the collective figure of business transaction at $2 billion. For scholars interested in how communities emerge, adapt, and succeed, the Kumbh proved irresistible. No wonder therefore that an interdisciplinary team of 50 scholars from Harvard University’s South Asia Institute camped themselves at the Kumbh Mela to study and document the processes behind the success of this “Pop-up Mega City”. The research findings are available in their website: http://southasiainstitute.harvard.edu/kumbh-mela/

We had early dinner of simple roti-rice-daal-sabzi cooked by the boys in our camp and went to bed. The auspicious time for the Shahi Snan (royal bath of the saints) next day was known to be at 5:30 am. Anticipating that we will take over an hour to navigate through the crowd and cover the 3-km stretch to the Sangam (confluence) area, me and my friend woke up at 3:30 am and started our journey amidst dense fog and cold weather bordering at 10 degree Celsius. A part of our group, which was either phobic to intense crowding or was focused on the holy dip at the auspicious moment rather than the journalistic experience, stayed back in the camp. We walked unhindered for about 2 km before the crowd pattern started to be jostling and directions confusing. We needed to find out quickly the route of the Shahi procession and position ourselves strategically, without getting choked in a crowd which will not allow us any photographic experience or retreat options. We regretted inability to do a recce of the site the day before. After some quick conversations with policemen and depending on our instinct, we landed up in the stretch of road along which the royal processions were already moving in towards the Sangam. The crowd was separated from the processions by a bamboo barricade. We positioned ourselves and started clicking photographs.


 It was around 5:15 am and dawn was just breaking. The religious heads of different Asharms, Maths and Akharas were moving in the procession accompanied by their followers and key devotees, in ornately and pompously decorated chariots, which were mostly modified on tractors. Chants of “Har Har Mahadeva” from the crowd rent the air every time an important Guruji rode past.




Meanwhile, the crowd pressure started building up behind us and I started to be dislodged from whatever strategic location I could manage by burly people jostling forward from behind us (Rule 1: Thou shalt not get in to argument in UP with unknown people!). I located a small break in the barricade ahead of me, which was possibly meant to be manned by a policeman. In my survival and journalistic instinct, I pushed my way towards and past the breach. Possibly my Allahabadi politician attire, coupled with the camera and confident “move aside” uttering zapped the crowd ahead who made way for me to exit. I immediately called my friend, who grasped this god-sent opportunity to break free and joined me in no time. And now we were inside the procession route, free to follow the processions. It was like being able to shift from the viewer’s gallery to Janpath to join the Republic Day Parade! We strode confidently along the route towards the Sangam, taking close-up shots of the processions as we passed them. Soon we were at a tri-junction, from where one path will take us to the bathing area of the Saints and the other will take us to the return route where millions of viewers, devotees and journalists were waiting for the processions to pass by after the Royal Bath. In our excitement, confusion and ignorance, we took the second route and landed in the vast open stretch of the Sangam near the Press Tower. It was 6:15 am and the morning sun was now rising in the horizon, basking the vast openness of the riverbank in crimson glory; accentuated by the sea of saffron everywhere. The whole landscape looked magical; the vibes of spirituality was like ocean waves, swaying the sea of humanity like leaves in a tempest. The only feeling that comes to mind is “thank God for giving me this moment”. In words of William Blake, it was “holding Infinity in the palm of your hand and Eternity in an hour”.

Shahi Snan Procession Video, Kumbh; May 10, 2013:



Shahi Snan (Royal Bath of the saints) procession at Sangam, May 10, 2013
 
Crowd at Allahabad Sangam- many foreigners came as devotees of various Ashrams
 
Sangam Area, 6:30 am on Mauni Amavasya of Kumbh Mela- May 20, 2013
 
Royal procession at Sangam
 
 
Panorama of the Sangam Area
 
There was a fair amount of crowd inside the Sangam area too, but it consisted of mostly saints, accredited journalists, security personnel and possibly big donors to the Ashrams. Most of them were displaying some kind of card hung from their neck. We were happily taking pictures of the processions, people and even journalists in their various degrees of exuberance. At this point, I noticed a special security cordon of Police Rapid Action Force being formed and the first wave of Naga Sadhus (naked saints- the centerpiece of attraction of the Kumbh Mela) heading towards the procession route. In my instinct, I ran towards the procession, and within minutes I was embedded within the procession crowd in company of a few other desperate local and Southeast Asian journalists. That desperation turned out to be a moment of truth, since I could stay with the procession for the entire journey and take unprecedented close-up shots of the mythical Naga saints.

First sight of the Naga Sadhus (naked militant ascetics) of Niranjani Akhara 

Naga Saint, with traditional war bugle, Dambru and Trident 

It is believed that just to see the elusive saints who seek God through extreme penance is a matter of great blessing. To be a Naga is a process, which takes many years. The First Stage is called the Mahapurush, the second stage the Avdhoot and the final one is called the Naga.  I found them flamboyant, carefree, happy like children. Some of them had a pleasant demeanor, some others were somewhat fearsome and had intense look.
Ecsatasy of Naga Saints- returning from Royal Bath at Sangam- a very special & much awaited moment for them

Militant Naga Saints, with Trident- Nagas follow the life of their worshipped Deity Lord Shiva


Procession of Naga Saints at Kumb Mela, Allahabad.

As I faced the group with my camera, one Sadhu speared my forehead with the ash he was carrying, as a sign of blessing. The next moment, his peer noticed that I was wearing my sandals and growled at me for standing in their way wearing shoes. Knowing that the Nagas are famous for being unpredictable and fierce, I apologized profusely and stepped aside till this line passed by. I followed the group all the way till they entered their camp in Niranjani Akhara. They were soon followed by another wave of more flamboyant Naga sadhus of Juna Akhara. They displayed martial arts and some bone-chilling penance acrobatics at frequent intervals.

Penance acrobatics demonstrated by the Naga Saints- they train their bodies to be free of feeling of pleasure or pain, in readiness of their militant preparedness

Penance acrobatics demonstrated by the Naga Saints- they train their bodies to be free of feeling of pleasure or pain, in readiness of their militant preparedness

Penance acrobatics demonstrated by the Naga Saints- they train their bodies to be free of feeling of pleasure or pain, in readiness of their militant preparedness

To be face to face with thousands of Naga ascetics and to be able to capture their moods, ecstasy and devotion was a momentous occasion which made every bit of physical hardship worth every moment of it. I stayed with the Naga group and followed them as they made their way to their base camp in Sector 4, and also managed to get one of the group leaders pose with me for a photograph.

Faith
 

When I was done with my photography at the Sangam Road in front of the Akharas, it was around 10:00 am, and the roads were choked with people and processions, to the extent that even walking was difficult. I managed to weave my way through the crowd and met some interesting characters on my way back, including a person from New York who made himself a walking archive of Hindu religious motifs.  Many interesting faces from the crowd and the processions appealed to my camera too.


 



Not a vendor.  There was more to him.  I observed him for an hour after this photo. The Inscrutable Saint.
 


Women saints were less in number but the few present were prominent

 Iscon had a significant presence in the Mela.



I was famished and a bowl of free khichri served outside Nityananda Dhyanapeetham camp on Sangam Marg in Sector 8 saved my soul. However, like a true ungrateful rationalist, the high quality of the ingredients in the offering served to the masses raised questions in my mind about the source of funds.

After reaching our camp and a rejuvenating shower followed by the simple food served for lunch, I slept like a log in the afternoon. In the evening, me and my lone survivor friend explored the Mela locally and visited the riverfront. As a poor compensation of my unreligious act of not taking a holy dip during the auspicious hours of the morning, I touched the river water and put it on my head and forehead, hoping for a mini-salvation.  There was a Yagna (sacrificial fire) going on in our Sector in memory of Indian freedom fighters and soldiers who died in wars.

Pontoon Bridge on Ganga, in the evening


Mahayagna venue in memory of those who laid their lives for the country
 The return trip next morning was a much shorter walk of 2 km, through the narrow lanes in to the maddeningly crowded area of Daraganj in the regular Allahabad city, from where we took a rickshaw to our hotel. We got about an hour to freshen up and check-out. While waiting in the hotel lobby after check-out, I had a chance meeting with Mark Tully. He said this is his fourth trip to Kumbh, and he was there at site the day before to cover the event too.



We reached the station at 7 pm for our train which was scheduled to arrive at 8:30 pm and was as per schedule according to the Railways. However, our train was held back at a station 5 km before Allahabad to make way for the special trains meant to ferry the thousands of pilgrims from the rural areas of UP, Bihar, Jharkhand and Odisha states. At least 8 trains with unreserved compartments were boarded with several thousand pilgrims before our train trudged in to the station at 2 am in the night. There was a stampede at the station the day before, in which 40-odd people lost their lives. It was an administrative failure and a blot in the otherwise impeccable effort of the administration, which had focused all their planning and energy at the Mela site and possibly left open ends in the crowd management at the railway station. On our day of departure, the Railway had deputed large posse of personnel and the police had very senior officers overseeing the entire crowd management.


Special train at Allahabad Railway Station- to send back pilgrims to their villages


















In our informal chat with one of the staff, we were told that there was a lot of anguish and remorse within the administration for the tragic incident the day before. I walked up the three-star officer and in my Bengali-style rounded-off-the-edge Hindi congratulated the police administration for an their super-human effort in managing the Mela. He replied with a no-nonsense crisp Thank You.


 We departed Allahabad soaked with the overwhelming effect of the event but also with a sense of urban relief to be heading back to our comfort zones again.


Thus ended my sojourn from India to Bharat- a time machine ride to ancient India. We got a glimpse of an alternative society where spirituality and social values were the guiding governing principles; where women moved freely at all hours of day and night without any concern for safety; where greater good was achieved through socio-religious practices and institutions therein instead of government welfare schemes; where people connected with other through faith-based community activities rather than Facebook; where Government and law-and-order machinery happily and truly played subservient to the people. This, in contrast to our daily dose of crime/intolerance/misgovernance/advertorial stories in mainstream media leaves an open question on whether India missed the bus in making its 5000-year history of spirituality as the bedrock of its society and governance during its “tryst with destiny” in 1947 and basing itself on a borrowed Westminster system of governance principles instead. The answer lies in the womb of the history of the future!