Monday, February 22, 2016

Buxa’e Bagh Nei. But Boddo Beautiful



As the car turns left from Rajabhatkhawa in to Buxa Tiger Reserve, dense forest rushes in to engulf the glistening metal road meandering through it. It’s the perfect build-up of tanticipation (tiger-related anticipation). The 30-minute/16 km drive from the Buxa Reserve gate to Jayanti is entirely through lush green forest of matured trees and dense foliage. Sashastra Seema Bal (Armed Border Force) jawans in olive battle fatigue and toting INSAS rifle at the three-point Buxa Crossing adds to the eerie ambience.






Eyes are strained looking out for the elusive streak of yellow stripes, or the majestic movement of a giant pachyderm. But of course nothing happens- not even the stirring of a monkey or a peacock- and we arrive unmauled/untrampled/unruffled at the forest check post in Jayanti. A quick review of the forest entry pass issued at Rajabhakkhawa and we are waved in. Stay is arranged at Public Health Engineering Inspection Bungalow. This and all of the few other decent accommodations are located in the bank of the dry bed of Jayanti river. Rovers Inn (http://www.roversinnjayanti.com/) is quite popular among travelers, but I liked the look and feel of Banante Resort (http://banantedooars.com/) better. The latter has cottages; but it also has a separate building with two rooms at a higher level and a terrace which I liked best. I also spotted a Jayanti River view homestay by the side of the river. I heard there is a CESC guest house in the area too. The PHE Bungalow’s VIP rooms with balcony overlooking the riverbed and the mountains are unbeatable, only comparable or a shade less than the Forest Rest House. There is a Bhutiya Basti in the area- they run small grocery stores and eateries. Some of our travel group members loved the spicy Wai Wai noodles and vegetable momos served at such eateries.
 






There are multiple local tour options. A drive on the dry Jayanti river bed can be quite exciting. One also crosses the river bed to get in the forest for a tour. There are jeep safaris available, but other option is to go in with your own vehicle. Obtaining permission from the check post and hiring a local trained guide is mandatory (costs Rs. 200 for most destinations). There is a “watchtower trap” to watch out for. There are three watchtowers- Tashigaon, Chunia and BB. Tour guides and local tourist vehicles strongly encourage tourists to go to all if possible. But the chances of animal sighting during regular hours in all of them are equally dim. Of course animals come near those watchtowers, but not when rows of jeeps are roaring in, kicking up dust, and tourists are chattering excitedly about every leaf that is moving anywhere in the periphery. A better option is a drive through of the forest just to enjoy the beautiful forest ambience and the serene streams and interrupt the dirt tracks occasionally. The only wildlife we saw- a python- was during our drive along regular alphalt road. There are other tour options including Pukuri Hills and a stalactite cave known as “Mahakal Cave”. The latter has two variants- Choto and Boro, with different rates. A longer distance option is to visit Buxa Fort, which requires a trek for the last 2 kms. The squash momos at Santrabari, prepared by Bhutanese families at the foothill of Buxa Fort climb, are delightful. I chatted with the Forest Beat Officer whose office is located at Santrabari. He talked about the regular sighting of elephants in the area, but his view was that it is their area whereas humans are guests. He talked about the recent tiger census in the huge forest area, which is quite a project. Buxa Tiger Reserve was one of the first tiger reserve in India to adapt tiger census through DNA technique. Forest staff, aided by NGOs, travel through the forest and collect excreta in polythene pouch filled with silica gel and record the GPS location of the place of collection. The samples are later put through genetic analysis to confirm the presence of tigers and other predators. The Beat Officer felt that there are still 3-5 tigers, though they mostly stay in the higher areas of Bhutan mountains. However, wildlife conservationists are extremely upset at Bengal Forest Department’s dismal performance in toger conservation. Wildlife Institute of India scientists have reported that they did not find any sign of tiger in Buxa. According to them, the Bhutan vacation of tigers is a convenient excuse of the foresters to cover their inadequacy. Read more about the debate in in: http://www.sanctuariesindia.com/buxa-tiger-reserve-has-no-tigers/. A good official website, though not most current, is http://www.buxatigerreserve.com/



















We also went for a trip to Coochbehar- about 32 km from Jayanti. The only disadvantage is when we exit the Buxa Forest, the entry charge of around Rs. 600-700 for a car with 6-8 passengers have to be paid again at the Rajabhatkhayoa check post. It is therefore more economical to visit Coochbehar on the way in or out. The drive is through congested roads. Coochbehar is however a neat town with well maintained roads, heritage structures and nice people. We visited the two most important attractions- Madan Mohan Temple and the majestic Coochbehar Palace. On way back, we stopped a a local haat to buy Tulaipanji and Kalo Nuniya rice- both quintessentially North Bengal products.







Our three nights at Jayanti was most relaxing and refreshing. It is best not to do much. A daily drive around the forest is exhilarating enough. Rest of the time, it is rejuvenating to put your feet up in the balcony and stare at the vast expanse of the dry river bed with the endless flow of activities that go on it. An eerie ambience descends with nightfall, with the mountains, forest and riverbed presenting a silhouette with different shades of darkness in the open canvas. The moon showers a magical glow on the vast expanse which makes the place most surreal. Buxa’e Bagh nei, but boddo beautiful. 

Sunday, November 22, 2015

Jagaddhatri Immersion in Chandannagar

The Jagaddhatri Puja in Chandannagar is like radio song to most Bengalis outside the immediate area of the former French colony city- heard of but not seen.  Jagadhatri Puja is observed on the ninth day of the waxing phase of moon in the Hindu month of Kartik month in West Bengal.  Goddess Jagadhatri is an incarnation of Goddess Durga- in this form she represents the “Sattvik” qualities (of calmness, purity; as compared to the other forms such as Goddess Kali who represents the “Tamasik” (dark, fierce) qualities).  Her Sanskrit name translates in to 'Holder (dhatri) of the World (Jagat).  She has four arms; rides on a lion and is shown to be defeating a demon in form of an elephant (sometimes interpreted to symbolize the mind).  The aspects of the puja which makes the 4-day celebration in Chandannagar special are large size of idols, large number of community celebrations (over 300) in the area (Chandannagar, Bhadreshwar, Champdani, Rishra) and elaborate decorative lighting (Chandannagar lighting is almost a geographical indicator for decorative lighting for festivals).  This year, a fortuitous confluence of factors presented a sudden opportunity for me to see the famous immersion celebration in Chandannagar.  

I boarded a Bardhaman local at around 8:45 pm.  I was worried that I would be late in reaching and will not have much to see when I arrive.  I was assured by my friend that the processions go on for the whole night and the actual immersions do not happen until morning.  I was also reassured by the information that Eastern Railways is running for pairs of special trains between 6 pm till 2:00 am between Howrah and Bandel/Bardhaman on the three puja days and an additional train departing Howrah at 2:35 am departing Howrah on the immersion day.  We reached at around 10 am.  The road radiating out of the station was crowded and had the same vibrancy as of Kolkata on Durga Puja days.  Most houses were decorated with pight as is usually done during Diwali in other cities.  As soon as we hit GT Road, I was greeted with the sight of immersion processions lined up in stand-still mode.  Nothing was moving except streams of people.  The crowd created its own method of handling the congestion on the narrow road almost entirely filled up by the width of the large trucks carrying idols and the decorations jutting out on both sides- there was an unwritten one way code- people were walking upstream from one flank and downstream from the other.  The narrow sidewalks and every bit of frontage including balconies was jam-packed with people seated to watch the procession.  In fact, noticed that chairs were available on rent at some places too.  The processions occasionally sprung to life when the road opened up for a brief period.  This also energized the accompanying band parties briefly before they slumped on the road to deal with the tiresome stop-go process.  We walked past a large number of processions before we reached the Strand.  This place is otherwise famous for important architectural legacies of the French colonial period, such as Museum and Sacred Heart Church, but today the place was an ocean of humanity who congregated to watch the immersion ceremony.  We walked around for about three hours before returning to my friend’s house for a few hours of rest, but not before enjoying the hospitality of his neighbor’s family who had very kindly invited us for dinner at their place and greeted us warmly when we reached his house at around midnight.  Chandannagar does not sleep on this day.  The puja is ingrained in the collective psyche of the residents.  I was told that some community organizers collect small subscription round the year in preparation for the Puja, and the structure after immersion is worshipped round the year in some locations too.  It was my unique exposure to this historic city through one special event.  

Here are some pictures which tell the story-










       















Saturday, November 7, 2015

Osure? Oh, Sure!

Osure, or Mahisashura, is the most neglected and vilified personality in the entire symbolism and atmospherics of Durga Puja.  In the celebration, he is depicted as an evil looking man coming out of the body of a slain buffalo and is waging war against Goddess Durga, who in turn is killing him with a Trident.  In Mysore (earlier known as Mahishuru), which is known as the kingdom of Mahisashura, this time is celebrated as the victory of Goddess Chamundeshwari (the fearsome form of the seven forms of Mother Goddess in Hindu religion) over the fearsome demon king.  Those who know nothing about the mythological background of the worship ritual, does not hesitate in describing to others with great confidence that the event celebrates "victory of good over evil".  No prizes for guessing who the evil one is.  Of late, I have been wondering about the one-sidedness of the depiction.  No doubt disturbing Gods and waging war against them is not a pious act.  But not much narration is available from the perspective of the Demons (Osure's) which Mahisashura epitomized.  Devdutt Pattnaik, India's famous author/researcher/mythologist, associated the mythical power of Asuras to resurrect themselves with vegetation and fertility.  Some researchers have written on him in English language, such as Anu Kumar's "Mahisashura- The Buffalo Demon".  I looked up traditional references and found a detailed narrative of the background of Durga Puja from Devi Bhagavata Purana in the website of Kanchi Kamakoti Puram-  http://www.kamakoti.org/kamakoti/details/devibhagvatpurana37.html?PHPSESSID=1b06cc3b4e6c40a0cd779d0f1e020836  It broadly describes Mahishasura as a Buffalo Demon, the son of Rambha (who was also blessed by Agni), as a hefty and ferocious person who was blessed by one of the Holy Trinities (Brahma) no force on earth could kill him except a woman.  Emboldened with such sense of immortality, Mahishasura wrecked havoc on heaven and earth to torment mortals and Gods, till the time Gods came together to unify their power to create Goddess Durga who eventually killed him after a fierce battle.  The tingle of one sidedness and fatalism in the destiny of Mahisashura evoked my interest.  This year, I tried to capture the various depictions of Mahishasura in the idols at various community Pujas of Kolkata.  I find that there is unfair one-sidedness about him even now.  Some depictions even watered down his most evident attributes- fearsomeness and machoism.  In some places, he has been reduced to downright comical in appearance.  The entire effort to superimpose "Peace" in the idol of Durga-Mahisashura is farcical.  It was and is about war/contradiction/supremacy/rule of law or whatever else but not "peace". 


Without being judgmental or sentimental about this gentleman, I present to you the various forms of Mahisasura, as presented by the creative artisans/theme directors of Kolkata Durga Puja.  Form your own opinion.

BHARATNATYASUR

 
ACROBATASUR

TRIBALASUR

YOGASUR

SHIN CHAN CARTOONASUR

DANDIYASUR
CONFUSEASUR


PEACEASUR
SADASUR

ORNAMENTASUR
And, to end, a few traditional depictions-